Does It Have to Be a Plane?

Patrick Goldstein's LA Times article today talks about the new Samuel Jackson movie, "Snakes on a Plane." Goldstein admonishes Hollywood for not "embracing the future" - meaning, they should be getting on the digital train. He's obviously right... unless that train has already left the station. But I think his article tells only half the story. Yes, Hollywood fears the future; yes, the entertainment industry should be looking for ways to embrace that future instead of fighting pointless, doomed holding actions.

But really: "Snakes on a Plane?" Hollywood should fear the present. It's conceivable that "Snakes on a Plane" might make a lot of money for somebody other than the director, the producers, and Samuel K. Jackson; nevertheless, precisely because this is the sort of opening-weekend-oriented drivel that has replaced smart storytelling in Hollywood* (and it will be drivel: we all know that, right?), an awful lot of people are no longer ... well, very interested in going to the movies. I know I'm not. I used to love movies. Now I just kind of like them. Once in a while. On DVD. And only if I don't have to pay late fees.

In fact, I might just wait till some enterprising assistant editor re-cuts "Snakes on a Plane" into a trailer for a movie about... doomed Hollywood producers.


* There did used to be smart storytelling in Hollywood, right? Some? A little?

V for... what, again?

This Is Only the Beginning.

Given the presence in the starring roles of trilogy go-to actors Hugo Weaving (The Matrix parts 1, 2 and 3; Lord of the Rings parts 1, 2 and 3) and Natalie Portman (Star Wars parts 1, 2 and 3), it was inevitable that Warner Bros. would announce they're making two sequels to V for Vendetta, to be entitled W for Vendetta and X for Vendetta.

Hollywood is nothing if not thrifty... at least when it comes to ideas.